![]() The Nature of Systems, BFI Southbank, LondonĮxperimenta Playground, Victorian Arts Centre, MelbourneĮternal beautiful now, Sherman Galleries, Sydney Move: Video Art in Schools, Kaldor Art Projects in conjunction with the NSW Department of Education and Training LOOP - Australian video art now, Hamilton Art Gallery Wonderful World, Anne & Gordan Samstag Museum of Art, Adelaide Shadowplay, Lake Macquarie City Art Gallery, New South WalesĮxperimenta Playground, Peformance Sydney (+ touring nationally) Les Rencontres Internationales, National Museum Reina Sofia, Madrid, Spain Selected Group Exhibitions and Screeningsīasil Sellers Art Prize, Ian Potter Museum of Art, Melbourneįiguring Landscapes, Tate Modern, London, UK (+ touring to other venues in the UK) ![]() Time Slice, Centre for Contemporary Photography, MelbourneĬircum-Circadian, Horti Hall (Next Wave), Melbourneĭistance:control, Public Office (Next Wave), Melbourne One step forwards, one frame backwards, Sherman Galleries, Sydneyĭaniel Crooks: Train No.1, Level 2 Projects Space, Art Gallery of New South Walesĭaniel Crooks: A small section of something larger, Sherman Galleries, SydneyĢ videos & 2 devices, Rijksakademie van Beeldende Kunsten, Amsterdam Pan No.2 (one step forwards, one frame backwards), Centre for Contemporary Photography, Melbourne Motion Graphics Designer, Australian Centre for the Moving Image (ACMI), MelbourneĮverywhere Instantly, Christchurch Art Gallery Te Puna O Waiwhetu, Christchurch, New Zealandĭaniel Crooks and Jae Hoon Lee, Institute for Modern Art, Brisbane Lecturer, Royal Melbourne Institute of Technology (RMIT), Melbourne Post Graduate Diploma of Animation, Victorian College of the Arts School of Film and TV, Melbourneįounded Dimensional Laboratories media studio Because of the contradiction of the dark mood inside to the sunny weather outside, we are still undecided whether we liked Fudong’s work or not.Bachelor of Graphic Design, Auckland Institute of Technology, Auckland, Though the most important part of the exhibit was the strange imagery, the addition of minimalistic, yet ominous sounds also played a key role in providing a rather depressing atmosphere. The last part of his exhibition, The Coloured Sky: New Women II showed a variety of Chinese women dressed in old-fashioned swimming suits posing for pictures. Another, East of Que Village, showed a 15-minute loop of a pack of dogs gnawing at a carcass in a field. For example, one of his works, The Fifth Night, had several screens showing different people in black and white where the footage of these people was taken simultaneously, but in different locations. We found his work quite weird, yet interesting. In addition to the permanent exhibit, we also visited a temporary showcase of the work of Yang Fudong, which consisted of four “chapters,” or separate video installations. You can see our more-or-less dramatic fight scene for yourselves (Marta forgot to jump). ![]() ![]() The coolest attraction was hands-down “Timeslice.” Here, we entered a room surrounded by 36 cameras that took sequential images of us to simulate the “Bullet Time” action shots from The Matrix. ![]() Sadly, there was a group of greasy teenagers camped in front of Mario Kart, so we didn’t have a chance. Included in the history of the moving image was video games and we were really excited about playing the demos that they had available. ![]()
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